Multi-camera live streaming for conferences, galas and festivals, and permanent streaming systems for churches, schools and venues. Cameras, switching, encoding and clean broadcast audio, from one Southern California team.
| Event live streaming | Permanent streaming system | |
|---|---|---|
| Best for | Conferences, summits, galas, award shows, festivals, hybrid meetings | Churches, temples, schools, auditoriums and venues that stream every week |
| Cameras | Operated and PTZ cameras brought in for the event | Installed PTZ cameras with saved shots |
| Switching | Video switcher with preview and program monitors, slides and graphics | Switcher or streaming workstation in your booth or control room |
| Audio | Dedicated broadcast mix from the event audio system | Broadcast mix built into your console or a separate mixer |
| Who runs it | Our crew, from setup to strike | Your staff or volunteers, after training |
Operated cameras for keynotes and performances, or PTZ cameras that recall wide, podium and stage shots at the press of a button.
Cut between cameras, slides, videos and lower-third graphics, and keep the in-room LED wall or screens in sync.
A separate mix for online viewers so speech is clear and music is balanced, not just the room mix.
Hardware or software encoding to YouTube, Facebook, Vimeo, a private page or Zoom and Teams for hybrid events.
A wired, tested connection with backup where needed. We also install the cabling for permanent systems.
A clean recording of the program for on-demand viewing, social clips and archives.
At the Mid-Term Rental Summit we ran cameras through a video switcher with preview and program monitors, mixing camera shots, presentations and graphics into a live broadcast while keeping the LED wall in sync. At the Sri Sathya Sai Center in Riverside we built a control room with a digital mixing console and broadcast workstations so volunteers can stream programs from the main hall.
A church stream is often the first impression for new visitors. We install PTZ cameras with saved shots, a switcher volunteers can learn in an afternoon, lyric and sermon graphics, and a broadcast audio mix, all tied into your existing sound and video. Read our church live streaming setup guide and IMAG camera guide to plan ahead.
Plan for a wired connection with upload speed of at least double your stream bitrate. A 1080p stream usually runs at about 4.5 to 8 Mbps, so a steady 15 to 20 Mbps upload gives you safe headroom. Venue Wi-Fi is rarely reliable enough; we test the connection before the event and can bring a bonded cellular backup when the venue line is weak.
Yes. We can send one program feed to several platforms at once, or feed a Zoom, Teams or Webex meeting for hybrid events where remote attendees need to ask questions.
For a conference or gala we bring cameras, switching, encoding and a crew for the day. For a church or venue that streams every week, we install permanent PTZ cameras, a switcher, encoder and a broadcast audio mix, and train volunteers to run it themselves.
Not full time. PTZ cameras can be recalled to saved shots (pulpit, worship team, baptistry, wide) from a switcher or controller, so one volunteer can run several cameras.
The room mix is built for a room that already hears the drums and the choir acoustically. Online viewers need a separate broadcast mix with its own balance and compression. We set that up on your console or a dedicated mixer.
Tell us about the event or room, how many cameras you picture and where you want to stream. We reply within 1 business hour, Mon–Sat.
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